At the Edge of Everything

Cabin’s inaugural exhibition, At the Edge of Everything, invites visitors into a mythical landscape formed by the works of 15 artists who use obfuscation and figuration as a means to evoke liminal states of transcendence. Taking its name from an exhibited work by Noah Schneiderman, whose three figures walking in the distance appear at once hopeful and apocalyptic, At the Edge of Everything explores the thresholds that exist between reality and fiction, utopia and dystopia, heaven and hellscape, memory and experience. Cabin’s inaugural exhibition, At the Edge of Everything, invites visitors into a mythical landscape formed by the works of 15 artists who use obfuscation and figuration as a means to evoke liminal states of transcendence. Cabin’s inaugural exhibition, At the Edge of Everything, invites visitors into a mythical landscape formed by the works of 15 artists who use obfuscation and figuration as a means to evoke liminal states of transcendence.

Taking its name from an exhibited work by Noah Schneiderman, whose three figures walking in the distance appear at once hopeful and apocalyptic, At the Edge of Everything explores the thresholds that exist between reality and fiction, utopia and dystopia, heaven and hellscape, memory and experience. Cabin’s inaugural exhibition, At the Edge of Everything, invites visitors into a mythical landscape formed by the works of 15 artists who use obfuscation and figuration as a means to evoke liminal states of transcendence.